[1
                of 4] "Denise
                  Scott Brown and I are happy to endorse the model you made of
                  the exterior of the Sainsbury Wing of the National Gallery as
                  a true work of art in itself in terms of its workmanship and
                  spirit that evolves from true understanding."
(Robert Venturi — Venturi, Scott Brown and Associates, Inc., Philadelphia)
The National Gallery
Trafalgar Square, London, England
[2
                of 4] "Even
                  in my work on the jury of the Pritzker Prize, I have seldom
                  come across models which do justice to the minute detailing of
                  a building, while retaining its intrinsic character and its
                  relation to the site… Such quality can only result from
                  James's true understanding of the architectural process, as
                  well as a level of craftsmanship which is seldom found
                  anywhere today."
(Jacob Rothschild — Chairman of the Trustees of the National Gallery, London)
The National Gallery
Trafalgar Square, London, England
[3
                of 4] "James
                  is a craftsman of the highest standards who will settle for
                  nothing less than perfection… He transforms problems
                  into opportunities and constantly challenges the limits of his
                  remarkable skills…"
(Ada Karmi Melamede — Karmi Architects & Co, Israel)
The Supreme Court Building
Jerusalem, Israel
[4
                of 4] "I
                  would like to say how really delightful we all consider the
                  model to be. It is a thoroughly professional job which brings
                  the photographs and other records we have of the Garden Room
                  fully to life for us."
(W. A. Kingston — Regional Director, The National Trust, England)
Lamb House Garden Room
Rye, East Sussex, England
        
| 
                 Between 1986
                  and 1992 I created the models presented in this portfolio.
                  Through my interpretation of historic buildings and buildings
                  of architectural interest I sought in this work to capture the
                  essence of buildings — to convey their emotional quality
                  rather than to give a detailed reproduction in synthetic
                  materials. My aim was to interpret both the environment that
                  gives personality to buildings, and the raw elements of
                  buildings that have grown out of careful planning and the
                  imagination of architects who themselves are formed by the
                  environment in which they work. 
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